I keep getting two main comments about the program.
1. We've never seen handbells and they're fascinating and musical
2. You've broken new ground by the way that you talk to the audience
Concerts are very serious affairs here, and when an artist comes out to play he/she does just that -- play. No talk, no interaction other than through the instrument. Those of you who've seen my concerts know that they're just the opposite by the way that I talk to the audience and get them to laugh. Also, it's not like I went to Julliard to study handbells, then entered and won multiple competitions (there aren't any that I can find), and have then played and recorded with major orchestras the world over. I'm just the local joe who can do something that entertains people, and what I do is more of an "act". I also like to do that because I like to see it happen when I attend a concert. If the artist will speak to us then I'm much more attuned to him/her and much more interested in the program.
Last night's audience was quite shocked, apparently, when after the first piece I came around in front of the bell table to talk to them. Then I started making jokes with the interpreter and that cracked them up. Once, early in the program, I said what was a short sentence in English, but the interpreter went on and on in Serbian to say the same thing. When she finished I said, "Are you sure I said all that?" and they laughed for the longest time. In the States that would have merited a giggle, but here it brought the house down because they had never had that happen before.
I also did the "phone call from Mom" gag, and they've been talking about that all day. I had my accompanist call my phone right in the middle of "Minute Waltz", and I stopped as if I was trying to find the sound in the house. In the meantime, everyone in there (and they ALL have phones in their pockets) was mentally saying either, "Oh, my god, I hope it's not mine" or "how rude that someone didn't turn off their phone". Then when it turned out to be mine the laughter went for so long and loud that I thought I might not get to finish the show. When finally it calmed down and I said, "Hi Mom" it broke them up all over again.
At the end of the show they went into that European type of applause where they all clap at the same time (I think that's really good), and after we played the encore the applause wouldn't stop so I stepped down into the audience to start talking to and greeting people. That still didn't stop them, so I just walked on out through the audience waving royally as they shouted and cheered. Several people said to me afterwards that I left just like Santa Claus. What a hoot!
I'm trying to get some pictures to upload, but with no success. I don't really have any of the concert anyway because I was pretty busy. One man there did record the entire thing in video on his PDA which he showed me later. He's going to try to send it to me after I get home. He's my contact in Vienna, by the way, and very interested in having me play there. Also, the public radio station recorded the concert in audio and they're supposed to give me a CD.
I'll get some pictures up soon, I hope. Thank you to all of you who have written back to me about the concert. It was such a terrific experience that I'm still in "afterglow".
The life and times of Danny Lyons. This is mainly so my family can keep up with me and see pictures as I put them up.
Sunday, March 05, 2006
Subscribe to:
Post Comments (Atom)
In concert
Blog Archive
-
▼
2006
(29)
-
▼
March
(29)
- I'm home
- Last Paris day
- Still Sunday morning
- Sunday morning
- Deleting older posts
- Sunday morning
- Saturday night concert
- Computer again
- Back to work -- sort of
- Just pictures.
- Finally, the Eiffel Tower
- This is a very famous landmark called Sacre Couer ...
- Blog Problems
- More rain in Paris
- Paris first day
- This is what Novi Sad was looking like the morning...
- More Novi Sad
- More about last night's concert
- The Novi Sad Concert -- a quick report
- Novi Sad sidewalks
- Final rehearsal
- The competition program book
- Practicing day
- Bells "in hand"
- Here's Danny right after the bells arrived.Alexand...
- Bells are here! Bells are here!
- Bells in Belgrade
- Danny in Serbia – Bells in France
- This is another Serbian Orthodox church. I haven’...
-
▼
March
(29)
About Me
- Danny Lyons
- Danny is the Steinway piano technician and head of the piano technology department of Dollarhide Music and Sound, specializing in tuning and rebuilding the Gulf Coast's finest pianos and harpsichords, including antique restoration of such historical pianos as the Steinway in the Mississippi Governor's Mansion and the 1850 square grand piano in the Oakleigh House in Mobile. Danny is the area's concert tuner for both the Mobile and Pensacola Symphonies, The University of West Florida, Pensacola Junior College, and numerous artist series throughout the area including the prestigious "Music at Christ Church" series. In his 32 year career as a piano technician, he has prepared pianos for the area concerts of numerous celebrities, including Ella Fitzgerald, Bob Hope, Izsac Perlman, Harry Connick, Jr., Barry Manilow, Roger Williams, Peter Nero, Lou Rawls, Garrison Keiler's "A Prairie Home Companion", and many others. In 2004 he was commissioned to rebuild a Steinway in Novi Sad, Serbia/Montenegro, and traveled there and spent a month in the country on that project. In 2006 he was invited back to Novi Sad as a solo handbell artist.
No comments:
Post a Comment